Biography

Baritone PETER KENDALL CLARK is a distinguished interpreter of opera and musical theater who also excels in traditional concert and song repertoire. Peter created the role of Ermanno Finzi-Contini in the world premiere of The Garden Of The Finzi-Continis by Ricky Ian Gordon and Michael Korie, a co-production with New York City Opera and The National Yiddish Theatre Folksbiene. He also recently appeared in the New York premiere of Tom Cipullo’s The Parting as the Hungarian poet Miklós Radnóti, presented by Chelsea Opera. He has created roles in numerous world premieres, portraying Older Erich in Ted Rosenthal’s jazz opera Dear Erich with New York City Opera, garnering praise from The New York Times’ Anthony Tommasini for bringing “gravity and an earthy sound” to his “impressive” performance. Over the past two decades, Mr. Clark has had return engagements with New York City Opera, Virginia Opera, Caramoor Opera, Ashlawn (now Charlottesville) Opera, Syracuse Opera, St. Petersburg Opera, Chelsea Opera, and Skylight Music Theatre.

As a musical theater actor, Mr. Clark has equal affinity with dramatic, comic and romantic roles such as Pirate King in The Pirates of Penzance (Skylight Opera Theater), Frank Butler in Annie Get Your Gun, Henry Higgins in My Fair Lady, King Arthur in Camelot (Ashlawn Opera), and Fredrik in A Little Night Music (Syracuse and Union Avenue Opera). OPERA NEWS singled him out for his performance in DiCapo Opera’s The Most Happy Fella:  “a strapping, energetic Joe (whose) soothingly sexy rendition of “Don’t Cry” was, in its way, the most memorable vocal moment in the show.” His performances as Sweeney Todd at St. Petersburg Opera and Hawaii Opera Theater were also richly praised. The Tampa Bay Times praised him as a Todd who “not only sang gorgeously…but also displayed the dramatic range and comic timing…to turn the blackness of the tale into something transcendent”. He has also been noted for his “likably vulnerable King Arthur” (Virginian Pilot), which he first performed at Ashlawn Opera and, subsequently, at Virginia Opera.

Mr. Clark made his debut with New York City Opera in their sold-out production of Candide, directed by Harold Prince, who cast him in an array of comic roles. Since then, he has been a regular with the company, appearing as Older Erich in the world premiere of Dear Erich, and as Officer Cahn in the world premiere of Iain Bell/Mark Campbell’s Stonewall among others. Regional performances include Harold Hill in The Music Man (SPO), Harry Easter in Street Scene with Virginia Opera, Bach b minor Mass with Helena Symphony, MacHeath in the Threepenny Opera at Syracuse Opera, Fredrik Eggerman in A Little Night Music and Malatesta in Don Pasquale at Union Avenue Opera, and Older Thompson in Glory Denied at Opera Roanoke, Opera Company of Middlebury, and Chelsea Opera, and Opera Greensboro. He has appeared in the title role of Gianni Schicchi at Tri-Cities Opera as well as playing El Gallo in the ‘boy meets boy’ Fantasticks.

Since May of 2020 he has given nearly 300 outdoor concerts in Brooklyn Heights and in New Rochelle in his weekly community concert series Songs From The Ledge which The New York Post has called “the hottest ticket in town!” Deborah Norville of CBS Inside Edition: “Call him the ‘Brownstone Baritone’. Once a week Peter Kendall Clark gets on a stoop in Brooklyn and the magic begins!” As the “Brownstone Baritone” he has also been profiled on ABC News, Only Good Heroes for OGTV, Voice Of America, The New York Post, Japan’s Public Television’s (NHK) Catch! World Top News, and WQXR’s New York in Concert. With his wing man Jason Asbury, he continues to perform his one-man show around the country.

This spring Mr. Clark returns to Carnegie Hall as soloist in the Durflé Requiem, brings his SONGS OF TRAVEL program to Cape Cod audiences and will also return to Charlottesville Opera in July to play the King in Rodgers and Hammerstein’s CINDERELLA. His summer season closes with a return to Caroga Arts Collective for Opera on the Lake: Mozart!